The LE006 is a 36W linear pendant light built around a slim die-cast aluminium bar that hangs on two cables from a rectangular ceiling canopy, with the LED strip set behind a diffuser along the underside. Because one housing carries three colour temperatures, two light distributions and three sand-textured finishes, a single linear light fixture item number can serve dining tables, reception counters, desk banks and showroom display runs across the same building. This desk walks through each parameter in the order a schedule is usually frozen.
Everything below is fixed for the LE006 housing. Each later section expands one row of this block, so you only need to read the rows that are still open on your schedule.
| Item No. | LE006 |
|---|---|
| Product name | Affordable grace — Popular Linear Light Chandelier |
| Power | 36W |
| Luminous flux | 1100lm / 1200lm / 1300lm / 2400lm / 2500lm / 2600lm |
| Colour temperature | 3000K / 4000K / 5000K |
| Colour rendering | CRI ≥ 90 |
| Light distribution | Grille or floodlight |
| Finish | Sand white / Sand black / Gold |
| Body material | Die-cast aluminium |
| Diffuser | Diffused strip running along the underside of the bar |
| Mounting | Suspended on two cables from a rectangular ceiling canopy |
Three Kelvin options cover warm hospitality, working interiors and detail-led display. Pick the CCT from what happens under the bar, not from a preferred number.
3000K
Warm
A warm line over a table keeps the mood soft while the diffuser still spreads light evenly along the whole bar.
4000K
Work
The neutral working tone that keeps paper, screens and faces readable across a long run of desks or a reception counter.
5000K
Detail
A crisper tone for surfaces that need to read clearly — display cases, technical areas and the parts of a floor the public never sees.
The six flux values are not a ladder. They are two clusters with different jobs — one for a bar that hangs close to the surface it lights, one for a bar that has to carry light across a room.
The selection rule: 1100 / 1200 / 1300lm for a single bar hanging close to the surface it lights; 2400 / 2500 / 2600lm for longer bars, higher ceilings and rooms where light must reach the floor.
Start with the drop, then confirm the run. A short bar hung low over a table and a long bar hung high over an open floor are two different fittings in practice, even though the housing is the same.
| Mounting situation | Typical run | Flux tier |
|---|---|---|
| Bar hangs close to the surface it lights — dining table, kitchen island, counter | Single bar, short run | 1100 / 1200 / 1300 lm |
| Higher ceiling, longer bar, light has to reach the floor | Longer bar or several bars in line | 2400 / 2500 / 2600 lm |
This is the only either/or on the whole schedule. Both options use the same bar, canopy and cable set, so the choice can be made late without changing the ceiling detail.
Option A
A more controlled, slightly shielded look that sits well over desks and counters, where you want the light held on the working surface rather than spilling into the room.
On a desk bank it keeps the run from reading as a bright stripe on the wall behind; on a reception counter it keeps attention on the person and the surface in front of them.
Option B
The broader wash to specify when the room needs filling — display floors, showrooms and open areas where the bar has to contribute general light as well as a line of light.
Flood is the natural partner to the higher flux tiers, where the point is to reach further rather than to concentrate output over a single counter.
The housing finish and the colour rendering both shape what the room looks like after handover. Neither shows up in a flux figure.
All three colours are applied as a low-sheen, sand-textured finish. That keeps reflections off screens and glass display cases — the practical reason a specifier chooses this surface over a polished one in an office or a retail interior.
CRI is rated 90 or above. In practice that means merchandise, food, timber and fabric keep looking like themselves under the bar, instead of shifting colour against the daylight coming in from the front of the space.
Pick the finish against the ceiling and joinery rather than in isolation: sand white recedes into pale ceilings, sand black separates the bar from the plane it hangs under, and gold reads as a deliberate detail above a counter or a display run.
Line up the room, the colour temperature, the flux tier and the distribution and you have a specification line. These combinations are drawn from the product's own guidance as a point to start from.
| Room named on the product page | CCT | Flux tier | Distribution starting point |
|---|---|---|---|
| Dining table under a low bar | 3000K | 1100 / 1200 / 1300 lm | Grille |
| Kitchen island | 3000K | 1100 / 1200 / 1300 lm | Grille or flood |
| Café, restaurant or hotel public area | 3000K | 2400 / 2500 / 2600 lm where the ceiling is high | Flood |
| Reception and meeting counter | 4000K | 1100 / 1200 / 1300 lm | Grille |
| Desk bank and open-plan office | 4000K | 2400 / 2500 / 2600 lm | Grille |
| Showroom display run and display floor | 5000K | 2400 / 2500 / 2600 lm | Flood |
Every row above carries the same CRI ≥ 90 output and the same die-cast aluminium bar. Confirm drop height, run length and layout with your sales contact before the schedule is signed off.
One item number goes a long way, but not all the way. Splitting the two lists makes the conversation with the factory short.
Send the room list, the colour temperatures, the flux tiers and the finishes you need. Bulk orders, project quantities, custom configurations and OEM requests are all raised through the same contact route.
Keep adjacent product options together for a faster catalog comparison.
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